- #CYBERLINK POWERDIRECTOR 15 ULTIMATE REVIEW MOVIE#
- #CYBERLINK POWERDIRECTOR 15 ULTIMATE REVIEW UPGRADE#
- #CYBERLINK POWERDIRECTOR 15 ULTIMATE REVIEW WINDOWS 10#
- #CYBERLINK POWERDIRECTOR 15 ULTIMATE REVIEW SOFTWARE#
#CYBERLINK POWERDIRECTOR 15 ULTIMATE REVIEW MOVIE#
The pricing is competitive with that of Premiere Elements ($99.99), Corel VideoStudio ($99.99), and Magix Movie Studio ($79.99). To see exactly which is in each edition, go to CyberLink's comparison page. The higher-end options add loads of third-party special effects from the likes of BorixFX, NewBlue, and proDAD. Both subscriptions get you regular updates with new effects, plug-ins, and music samples, as well as the previously mentioned stock media. Finally, you can get PowerDirector 365 (the version tested here) as a $69.99-per-year or $19.99-per-month subscription (often discounted). (Note that those prices are often discounted.) Another option is to bundle it with CyberLink's ColorDirector, AudioDirector, and PhotoDirector in the Director Suite bundle, which is only available as a subscription for $29.99 per month or $129.99 for a year. Two editions of the standalone video editor are available, the $99.99 Ultra and the $139.99 Ultimate.
#CYBERLINK POWERDIRECTOR 15 ULTIMATE REVIEW SOFTWARE#
You can try out the software with a 30-day downloadable trial version that adds brand watermarks and doesn't support 4K. A macOS version arrived in 2021, which I discuss below it requires OS X 10.14 or later and runs on both Intel and Apple Silicon M1-based Macs. You'll need a minimum of 4GB RAM and at least a 128MB VGA VRAM graphics card (2GB for AI features).
#CYBERLINK POWERDIRECTOR 15 ULTIMATE REVIEW WINDOWS 10#
For AI features, you need Windows 10 or 11. PowerDirector runs on Microsoft Windows 11, 10, 8.1, and 7, with a 64-bit version required. The previous version saw a new Photoshop-like selection tool for video, access to royalty-free stock video and images from Shutterstock, better color matching and keyframing, and a streamlined interface. The interface is a bit darker and has fewer colors on its buttons, so you can focus on your project media and preview. The current Version 20 adds Sky Replacement for video (similar to a newish Photoshop tool), stock content from Getty Images, as well as new tools and effects for text, audio, and graphics. Best Hosted Endpoint Protection and Security Software.You can also sample the ambient background noise and add it to areas of silence, so these don’t stick out from the rest. AudioDirector can also automatically splice up music to fit a given length, so beginning, middle and end still flow smoothly but the length fits exactly. AudioDirector 8 can also import 360 video so that you can edit the soundtrack, but there’s no facility to pan directional audio within the 360 space. Whether grading 2D or 360, the one-click tone adjustment can detect different scenes in a sequence and will adjust the grade separately for each one. You can now grade this in the same way as 2D footage. ColorDirector 6, unsurprisingly, also has support for 360 video. If you purchase the Ultimate Suite, you also get the latest versions of ColorDirector and AudioDirector in the bundle.
We found the default parameters need careful tweaking so the volume changes don’t sound too abrupt, but it isn’t hard to achieve good results and this tool saves a lot of time over doing this manually. This is where the volume of a music soundtrack can be set to automatically fill gaps in a speech audio track.
#CYBERLINK POWERDIRECTOR 15 ULTIMATE REVIEW UPGRADE#
You don’t get any control over how clips are cropped in the final effect, however.Īlthough CyberLink leaves the most sophisticated audio editing to the separate AudioDirector, the core sound functions in PowerDirector still receive a useful upgrade in the form of audio ducking. You simply decide which clip goes where via drag and drop, and whether all will start at once or in sequence.
This includes a selection of presets that can be animated. A collage designer has been added for creating rapid multi-clip opening sequences. There are also plenty of features that aren’t just for 360 footage. They can even have motion tracking applied so they follow something in the frame as it changes relative location within the 360 sphere. But PowerDirector 16 comes with a collection of titles that are designed to work in 360, moving around as the viewer pans. If you use a regular titling tool, these will be 2D graphics placed over the top of the spherical footage, and won’t move when you pan around. You can also output footage with a “Little Planet Effect” where the 360-degree sphere is squished into a 2D frame so it looks like you’re viewing everything from a godlike position above.Ī significant problem when you’re editing 360 video arises when you want to add titles. The video stabilisation can be found in the Action Camera Center, and was effective with footage I took walking through a wood.
One of the key new 360 facilities is image stabilisation, because regular 2D tools won’t work with this kind of video format.
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